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Everything seems like an unruly blur where my experience post-graduation has become permanently curtailed by career narratives. I often find myself fluttering between stability and instability – recognizing the obvious colossal downfall of craving things in place. The hunt for permanent employment has not let up, and the flux of casual labour has me temporally stunted. Among many people I know in the field (or out of the field more like) there is an insecure trend of non-opportunities that seems to be growing progressively worse. Much of my experience at SLAIS was spent cultivating research around this notion of precarity as it culminates and is amplified in commercial social networking technologies. My directed study, “Revolutionaries will not be friended: owning activism through social networking,” provided a critique of these networks as a space for radicalism employed by social agitators (a term I first heard from Antonis Vradis and Dimitris Dalakoglou of Occupied London).

I come at the onset of new information technologies in a totalizing fashion; I think a curated event on Facebook should make everyone, particularly social agitators, discomfited and hesitant. In retrospect, I think a lot of my apprehension and radical critiques came from being inundated with community rhetoric, especially in the discourse of Community Informatics where bridging the technological gap between digital ‘natives’ and ‘non-natives’ is the primary concern. Identities were treated as givens. As a Downtown Eastside Tech Hub, part of Vancouver’s Digital Strategies, is under negotiations, I’m starting to visualize a continuation of this project on precarity as it pertains to media communication and depersonalized time – here I see a clash of precarious subsets, the valorization of signs and symbols via info-labour and the struggle of the marginalized populations in the DTES. Franco Berardi writes, “An experience that derives from worker’s struggle in the last years, is that the struggle of precarious workers does not make a cycle” and I keep pressing the notion precarious labour is in itself stratified and discombobulated. As someone who has worked extensively in the DTES and also continues to pursue a career in information studies (librarianship, research, archival projects), my writing builds upon these experiences in order to establish a discourse of strategy.

My critical thinking is still taken up by the siege of global capitalism on the planet, and I’ve found focus in the attention given to precarious labour by Franco Berardi, Matteo Pasquinelli, Silvia Federici, and Christian Marazzi. The problem, I’ve noticed, is how much the critical writing I’ve read has become a foil for my own renderings of life. Things aren’t going as planned, and the more I come to terms with the larger picture the more it’s difficult to keep on going. Last night I had dinner with my best friend, and I spoke out loud about waiting for an end and the madness that resumes in narrativity. She asked, what do you mean by ends, and I had to think twice, because lately ends have meant, not the real philosophical question of suicide, but the shape of life as a disc such as how ancient cultures believed the Earth was flat. I’ve been thinking I’ll fall into something else, a new body even. I said instead (the alternative thought wasn’t clear until now), to this financial and unemployment struggle. Realism sits next to the symbolic sensation of this given situation.

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On June 15 (Fri) the Museum of Vancouver is hosting a dialogue, Is This Vancouver? Reflections on the 2011 Hockey Riot Boards. As we remember, the boards drew crowds post-riot, and “citizens” etched their reactions towards the unrest into multiple slabs of plywood. The riot was an affective response to a year of media hype and build-up and it disturbed Vancouver’s carefully polished identity as a benevolent and beautiful city. Taking issue with a tarnished reputation, the apologizers (along with the media narratives) aimed to rectify the city’s image by casting the rioters outside of it and anthropomorphizing the city into a scorned lover.

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The PLG of Vancouver has met a number of times over the last month–usually accompanied by Etta James, ‘fuck-off’ bottles of wine, and spite. Here are a look at some of the issues we are analyzing in relationship to librarianship, archivism, and information science: Read More

Introduction:
As paper-centric modes of production become digitized, authorship becomes an important consideration for the future of academic production. What is the future of the scholarly identity? And how does identity impact the production of scholarship?

There is a push-pull relationship between print and digital culture: on the one hand, open access supporters see the benefits of a multifaceted means of reproducing and disseminating research, where readers have a “richer context for reading” (Willinsky, Altering the Material, 132) by enabling them “to check their reading of a piece, with a click or two, against what is being said in related work, to gather background on the author, as well as view other works, and to trace the ideas presented through other forms, whether among media databases, government policies or historical archives” (Willinsky , Altering the Material, 129). On the other hand, although the medium inherently dislocates the author, in order to maintain academic identity, conditions, authenticity, and institutional control over works, archives, databases, and search engines the link to print culture reifies what otherwise might be a more rhizomatic method of production.
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